Looking Ahead: Bands to Watch in 2011 (part 2)

If you missed part one, ’tis here.

Allo Darlin’ (London, UK)

Following a string of well-loved singles with an album that has proven to be a favorite of indie pop fans across the world, Allo Darlin’ have been winning hearts everywhere they go, all the while making ukulele-fronted pop bands sexy again. The future is looking bright for Elizabeth Morris and company, especially with the backing of a stellar label like FortunaPop who hit it big in 2009 with The Pains of Being Pure at Heart. Don’t be surprised to see a similar surge for Allo Darlin’ in the coming year. And if you haven’t bought their album yet, you really ought to give it a go.

The Lighthouse and the Whaler (Cleveland, Ohio)

These lads from Cleveland spent considerable time building a following all over the eastern half of the US before making their debut in the state capitol with The Black Atlantic back in October to a Wednesday evening record store audience who instantly fell for their own brand of what you might call melodic prog-folk. And after watching them return to town just a month later and absolutely killing at their first proper Columbus headline gig to a captive audience at Rumba Cafe, it’s pretty clear that TLATW are a band that have to be seen to be believed. Luckily, their debut LP is an equally solid performance. So download ‘White Days’ for free here, then go out and buy the rest of it. And if you can, catch them live. They’ll be at SXSW and numerous other places, no doubt, as their stock continues to rise.

Download: The Lighthouse and the Whaler – ‘White Days’ [mp3]

My Gold Mask (Chicago, Illinois)

I first heard that My Gold Mask were one of the most exciting bands in Chicago from a sound engineer who I met after he caught me interviewing Emilie Simon at a Starbucks on the North Side. About a year later, an article in the Sun-Times named them among a list of Chicago bands on the verge of blowing up. I have to say, I think they’re right. In 2010, the band released two super-sexy EPs and landed some major support slots, including a few shows with the New Pornographers. Check out the EPs on Bandcamp where you can also download (for free) the remix of ‘Bitches’ by the fabled Hood Internet. And, of course, catch them on tour this spring.

Dimbleby & Capper (London, UK)

Dimbleby & Capper

It seems like I talk about Dimbleby & Capper all the time and, for the most part, it’s true. But I can’t help myself. Since we were first introduced in March of last year, Laura Bettinson has been busy taking D&C from a one woman band to a full-fledged DIY brand with it’s own unique aesthetic. The first single for Tape Records is projected to be released 31 March, hopefully with a full length LP will be in production in the not-too-terribly-distant future. Oh, and did I mention that Laura also happens to be working on a project with producer Nigel Godrich (producer for Radiohead)?

Islet (Cardiff, UK)

You’d be hard-pressed to find any official information about Islet anywhere on the internets, and that is because, antithetical to yours truly, they do not exist online. Anywhere. But they’ve building an enthusiastic following based solely on their near-legendary local live shows around the small but wicked-talented Cardiff scene, selling out of their first album and no doubt approaching capacity on the second (the first purchase I made on my first ever visit to Wales). And honestly, with a reputation like that, who needs a website? Grab one of their records while you can. You’ll be hearing from them again. (And again. And again . . .)

Best of 2010: Albums and EPs

I feel as if I’ve read through innumerable Best Of lists this month, as, I suspect, do you (especially if you’ve managed to make it far enough down your googling results to reach my little bit webspace). And, as is usually the case, most of them probably read as a tidy summation of what began the year as the most anticipated releases of 2010 with a few surprises thrown in for good measure. But, as hard as I try, no list I can pull together could hope to effectively encapsulate the music of 2010. Of course, there are the usual gaps in my listening, as there are with anyone. But, more importantly, I think the legacy of this past year, at least in my experience, will be an idea. ‘Beauty is back‘.

With it’s near-flawless litany of releases, the genre-bending and earth-shattering work of New Amsterdam Records is proof enough that beauty is a priority once again. But add to that the utter sweetness of The Secret Sisters, rampant sexual tension of Bitter Ruin, the raw power of My Gold Mask and Dimbleby & Capper, and the sheer joy of Super Desserts and Allo Darlin’, and our rediscovery of the visceral impact of technique and execution is impossible to ignore.

I haven’t ranked the albums and EPs on this list. Their very appearance here will attest to my attachment to them (if you want more details—well, that’s what the rest of this blog is for). Still, despite the ironic egalitarianism of my Best Ofs, there is one album which stands out in my mind as the landmark achievement of 2010. This one.

Allo Darlin’ – Allo Darlin’

Belle & Sebastian – Write About Love [review]

Bitter Ruin – Hung, Drawn, and Quartered [interview]

Dimbleby & Capper – Slick Maturity [more info]

Hooray For EarthMomo

Ivan MoultThe Mine Canary [review]

My Gold Mask – A Million Miles (From Where We Were Last)

Public Service Broadcasting – EP One

The SchoolLoveless Unbeliever [review] [interview]

The Secret SistersThe Secret Sisters

Sarah Kirkland Snider (feat. Shara Worden and Signal) – Penelope [review]

Super Desserts – Twee As Folk [review]

VictoireCathedral City [review]