Why we at The Indie Handbook are –oh god and I thought I would never say it– big fans of Twitter:|
1) Eric can tweet at people (dirty!)
2) We can discover fantastic music that we may not run into otherwise
Bitter Things is one example. So, thank you, Bitter Things, even though you may have started following us only because we had the word “indie” in our name (although you really don’t seem like the type) or because we happen to be following some of the same record labels. I’d like to say that we officially love your music.
I only spent a few months in London, but to me, Bitter Things has a quintessential London sound, dark and moving and full of convincing guitar riffs. In fact, although “Let Me Down Slow” is over 4 minutes long, it’s my favorite of the songs on their myspace page. They clearly know what they’re doing– longer than 4 minutes and you’re just being greedy, so usually I’ll officially peace out, but Bitter Things has me hooked. Nick Gledhill has a voice full of character (check out “You’re So 2oth Century”), reminiscent of David Bowie on Ziggy Stardust, Mott the Hoople’s Ian Hunter, or the Kinks’ Ray Davies. Not that their sound is completely British 70’s rock, but who doesn’t love a little Bowie twist?
Speaking of influences, the “influences” section of Bitter Things’ myspace bears mentioning. Nick begins talking about the music he’s been listening to lately, then mentions movies he’s seen and books he’s been reading, and then discusses the National Portrait Gallery and the paintings he has been enjoying and the people he has been watching, and finally he concludes (as every philosophical, self-aware, true lover of life eventually does) that “[the girls in the art museum] are also an exhibit and so are you and so is everyone who passes through the place to behold and be beheld and this is a very strange and interesting place to be.” Except obviously he explains it all in much more length and with much more eloquent detail than I just did, so I’m suggesting/demanding that you go to their myspace page immediately, listen to their music, read their “influences” section, and cry because unless you are in the U.K., you probably won’t catch a show anytime soon. Or maybe you will.
P.S. Eric would like to add that the Bohemian girls are his favourite part of the V&A, too, and the Tate Modern, for that matter.