If you take a look back to the glory days of C86 (if a aesthetic so famously and intentionally shambolic can have ‘glory days’), one of its defining characteristics is the consistent lack of LPs—if you stop to think about it, the C86 catalogue is probably 90% EPs and Peel Sessions. It’s a common tale, really, not simply reserved for 80s indiepop (just look at all those now priceless 1960s garage and northern soul recordings, or the Oneders), but it’s long since become a hallmark of the DIY aesthetic. I’m happy to say, however, that it is not a trait that has been passed on to their more recent descendants—a trend most recently defied by Glaswegian pop proponents, Strawberry Whiplash.
Over the last few years, Strawberry Whiplash have released a string of picture perfect EPs on Matinée Recordings, most recently the unforgivably catchy Stop, Look and Listen 7” (December 2011). With nearly every recording a sure pop hit (if, in an autotuned universe, it were actually possible for this sort of thing to become an RIAA-approved ‘hit’), it would be entirely possible for Laz and Sandra to hang their hats on the occasional cluster of fuzz pop gems. Instead, much to my delight, they have released their first LP, appropriately titled, Hits In The Car.
Hits In The Car is a collection of 13 mostly new tracks that tell the story of a relationship from the initial spark of attraction to the eventual decay and dissolution. I say ‘mostly new’ because, tucked in among a baker’s dozen sparkling fuzz pop gems are some tracks from previous EPs, like the aforementioned ‘Stop, Look and Listen’. They serve, of course, to further the narrative, but hearing the irresistible melody of the once eponymous ‘Picture Perfect‘ in a new context also serves as a pleasantly unexpected reminder of just how much you’ve always loved Strawberry Whiplash.
[Download: “Stop, Look and Listen” mp3]
Alongside the classic Whiplash are several others destined to assume their rightful place in the cannon. The opening one-two punch of ‘Do You Crash Here Often’ and ‘Everybody’s Texting’ offer the perfect hybrid of late 70s post punk and the shoegaze classics of the late 80s, while the crunchy guitars of ‘You Make Me Shine’ set up what proves to be a glistening duet between Laz and Sandra which includes a short but oh-so-sweet solo guitar bridge. The pivotal point in the album narrative, ‘What Do They Say About Me’, is the sweetest bit of paranoia you’re likely to hear on a pop record, and, like all good forms of doubt and suspicion, it’s infectious. The penultimate track, ‘Sleepy Head’, once again sees multi-instrumentalist Laz McCluskey assume lead vocal responsibilities. It is also, fittingly, a far cry, stylistically, from the vast majority of Strawberry Whiplash tracks, being driving, dissonant, hard-hitting bit of shoegazing and the perfect foil for Sandra’s resolute and oddly soothing closer, ‘First Light Of Dawn’.
Strawberry Whiplash could have easily contented themselves with being a phenomenal singles band like so many of the acts from the flash-in-the-pan scene whose torch they bear. And, up to this point, they have been. But with Hits In The Car, the band have proven that they can be—and are—so much more than that. This blog has, in many respects, grown up alongside Strawberry Whiplash, so they will, of course, always have a special place in my heart. But with a band so consistently easy to love, I suppose it was bound to happen.
Hits In The Car is available on CD from Matinée Recordings.
Tracklist: Hits In The Car
- Do You Crash Here Often?
- Everybody’s Texting
- Now I Know It’s You
- Picture Perfect
- You Make Me Shine
- Looking Out For Summer
- What Do They Say About Me?
- Dining Out In Paris and London
- Stop, Look and Listen [mp3]
- Another April
- It Came To Nothing
- Sleepy Head
- First Light of Dawn