Before I talk about music, I have some other things to talk about.

If we sold The Indie Handbook t-shirts, would you guys buy them? No, this is not a rhetorical question. We really desperately want to make them and sell them to you. We promise they’d be just as charming as we are, but we need some definite opinions before we take any action. Also I need to get married before I spend any more money. (Unrelated? Sorry.)

If you saw Where the Wild Things Are and didn’t like it, you have no business reading this blog anymore. Just kidding. But okay, seriously, I saw it and of course I loved it–I knew I would–and the soundtrack was incredible, including all the “music from the motion picture” stuff that isn’t on the official Karen O & the Kids soundtrack. There is an enormous amount of beautiful music in the movie…but that isn’t why I’m talking about this. I know maybe this isn’t related to indie music, but this was the most beautiful film I’ve seen in some time (then again, I’m not much of a movie buff) and once again, Paste Magazine doesn’t like it and definitely doesn’t love it. Paste angers me. A lot. And it kind of sucks, because I’d love to have Paste on our side–after all, they do like music I like, and they even interviewed Thao recently and I cried a little on the inside because interviews scare me and I would still love to have coffee with Thao. It was a pretty decent interview, too. They also like Welcome Wagon, which is cool. But then they go and make She & Him the best album of 2008 and so often I feel like their reviews miss the point…and it makes me so angry!! And jealous!! They don’t define what’s “cool,” they just write about it. …right? Anyway, The Indie Handbook is all about what we love. No matter if anyone thinks it’s cool. Difference.

If you thought I didn’t like electronic music, you were only sort of right. I don’t like bad electronic music, and I don’t listen to much good electronic music. But I found a cool band that is pretty electronicky and I think you will like them too. Ok, I didn’t find them, they’re nominated for MOJO’s Best Breakthrough Act of 2009. They’re pretty cool.

School of Seven Bells released Alpinisms in July, and when I have money again, I will most certainly purchase it, because I like it way more than I expected to.  They have been called psychedelic and futuristic–they are those things, but when I think of futuristic, I often think of hard, cold lines.  School of Seven Bells achieves futurustic in a lovely, soft sort of way.  The female vocals are reminiscent of Stars, or especially Au Revoir Simone.  I like that the focus seems to be on atmosphere and creating a beautiful line rather than on voice or lyrics or rhythm or whatever people tend to put more energy into.  Everything flows in an even consistency, and they’ve created so many layers that they’ve got the Mates of State “wall of sound” thing out-walled to infinity.  I do love Mates of State.

They’ve only got about six songs from Alpinisms on their myspace page, and who can blame them for not giving it all away?  But I think this is going to be one of those albums that needs to be listened to all at once and in order, like Sigur Ros.  I could be wrong.  I have to say, anyway, that I could listen to “Half Asleep” or “Connjur” on repeat for hours.  They’d be badass to see live, so if you’re in Brooklyn this weekend, you should check them out.

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