In many ways, the city of Glasgow is a driving force behind The Indie Handbook (and not just because I am of Scottish descent and not-so-secretly wish I could live there)–it is also the home of indie gods Belle & Sebastian (and one of my celebrity crushes, Isobel Campbell). No, this is not about Belle & Sebastian, seminal as they may be, you already know how fabulous they are. This is about fellow Glaswegians, Strawberry Whiplash, a band with one of the best names I have ever heard.

Strawberry Whiplash are Laz McLuskey (who writes the songs, plays the instruments, and also records as Bubblegum Lemonade) and someone named Sandra (who sings the songs that Laz writes). You probably wouldn’t actually have to listen to Strawberry Whiplash or see a list of their influences to have an idea what to expect, a photo of Laz with his classic red Rickenbacker would be sufficient. But for those of you not as presumptious as I am, think of that jangly C86 guitar sound with a Velvet Underground fuzziness (see also: “Factory Girl”, a musical homage to Warhol’s “poor little rich girl”, Edie Sedgwick).

The band is part of an impressive lineup on Santa Barbara’s own Matinée Recordings (including Bubblegum Lemonade, Cats on Fire, the Electric Pop Group, and the Hermit Crabs). I will probably refer to this roster a lot in the future. But right now, I am only concerned with the distinctive, cutting Rickenbacker jangle and Isobel Campbell-like vocals of Strawberry Whiplash. They have released one EP, Who’s In Your Dreams, all of which you can hear on their MySpace.

My favorite thing about Strawberry Whiplash: they are self-defined “part-time indie popsters” with real jobs, like we are, but we (much to my dismay) do not live among the Scots (and their intoxicating accents).

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