Tag Archive: Vidulgi OoyoO


RIP Zoobombs and a call to bands from the rest of the world

(c) 2012, Eric Robertson

Zoobombs at Ace of Cups, 2012

About a month ago, I read a blog post from one of my favorite bands. Well, to be honest, I read an awkwardly worded Google translation of a post from the Zoobombs website. If I understood it right, the band have decided, after roughly two decades, to put an end to the Zoobombs legacy. With the departure of two key band members, the remaining Zoobombs have decided that it is best to bring this chapter to a close and to begin anew.

I think I agree with them.

It’s never fun to say goodbye to your favorite bands, especially the ones you never had a chance to see in person. But in most cases, it is inevitable, we all know that. (Thankfully, I finally did get to see Zoobombs — about a year ago, here in Columbus — after missing their apparently phenomenal set at Canadian Music Week in 2011. And while the local turnout was, honestly, pathetic, it was one of the best shows I’ve ever seen.) We want to wish all of those Zoobombs the best of luck with their future projects. I have all the confidence in the world that they will be every bit as good as the epic garage-psych freakouts that made Zoobombs’ shows the stuff of legend.

All of which brings me to a second point. This is something I don’t often do, but I am issuing what, in the academic world might be called “A Call for Submissions”. Of course, we’ve always encouraged all bands to send us their music, and we get dozens of submissions every week. But those submissions, not surprisingly, skew toward Europe and North America. And while that leaves us with plenty of good material to work with, I also know the world is a big place and there’s much more out there and I don’t want this blog to remain US/Euro-centric if it doesn’t have to.

I know there’s a burgeoning punk/DIY scene in China (I’m pretty sure I’ve talked about Hedgehog here before) and I know there’s more to Korean music than K-Pop and “Gangnam Style” (remember all my gushing about Vidulgi OoyoO?) and of course I’ve just done a whole thing about Japanese psychedelia. And, for that matter, Tuareg and African blues bands have been experiencing a surge in popularity here in Columbus recently. The point is, I know you all are out there, and I would love to hear from you.

There are a few Korean and Chinese blogs and YouTube channels I catch up with when I can, but it’s difficult to even do that more than once every few months. So, please, email us at the.indie.handbook@gmail.com. We’re dying to expand our horizons.

P.S. Don’t worry about any language barrier. As long as I can hear the music, that is all I need. Google Translate and I will do the best we can with the rest. BUT, when you email, please at least try to include words like “band”, “music”, or “press release” in English in the subject line, just in case they get sent to the spam folder. That way, I will know to rescue them. God only knows how many submissions and press releases I have lost because they were written in an alphabet or character set I do not understand.

We can’t wait to hear from you. (Europe, North America, we still love hearing from you. Keep up the good work. South America, Australia, Oceania, we hear from you on occasion, but we wouldn’t mind hearing more.)

Indiepop’d dance party

I’m out of town right now on a whirlwind trip to Chicago and don’t really have the time to write a real post. So here are some videos to keep you entertained until I can sit down and write some of those year-end listy things that people like because they’re so easy to argue with.

‘Chicas De Oro’ is a newer one (November) from Guatafán, taken from the eponymous limited edition 7″ (another contribution to Elefant’s fantastic New Adventures In Pop series, which you may remember from last week).

‘Chicas De Oro’ limited 7″ (white vinyl, 500 copies)
Tracklist:
1. Chicas De Oro
2. La Vida Me Sonríe
3. Examen Sopresa
4. Un Día De Verano

I think it’s fair to say that Vidulgi OoyoO are one of my favorite bands in the world right now (top 5, easy). They’re more of a rock band than most of the artists who usually end up in these Indiepop’d posts, but they still land firmly in that dizzying whirl of  shoegaze and dream pop, so they still qualify. According to this Chinese blog (which is quite good and [mostly] in English), they will often play full hour-long sets straight through without a single pause (though I cannot personally attest to this since a scheduling conflict prevented me from seeing them at Canadian Music Week). Until they come back to this continent, though, I guess I will have to remain content to lose myself in their many live performance videos on YouTube. Though, the more I listen, the more I think Vidulgi OoyoO may be enough of a reason for me to justify a trip to Korea.

And another Vidulgi OoyoO video, because I just can’t get enough.

This week, I was also introduced to the Girls In The Garage compilations. I don’t know why it has taken me this long to start exploring the long lost world of all-girl 60s garage bands, or even to realize that that sort of thing existed back then. But, if you’re like me, you know that it’s nice to be reminded that there are still all these amazing pockets of brilliant music you haven’t even explored yet. And to know that these girls could produce great songs without Phil Spector’s help is just an added bonus. So we’ll wrap things up with a couple of my favorite tracks from Girls In The Garage, vol. 1

The Chymes – ‘He’s Not There Anymore’

The Blue Orchids – ‘Oo Chang-A-Lang’

If you missed part one, read it here. Or, if you’re on the homepage, just scroll down.

There are over 800 bands playing at CMF this week. Did you honestly think that I would be able to keep all my recommendations confined to a single post? Of course not. Here are some more. Get these on your schedule. Now.

Maylee Todd & Pegwee Power
Toronto, ON
Performing: Revival, Friday @ 8:45PM
Supermarket, Friday @ 1:00AM

Part of a strong lineup of early sets at Revival Friday night, Maylee Todd and special brand of indie soul promise to deliver one crushing set on Friday night. Just look at that promo photo. How could you ever be disappointed with that. And if you can’t make the early show, she’s playing again in the wee hours.

Vidulgi OoyoO
Seoul, South Korea
Performing: Clinton’s, Thursday @ 12:30AM

Some breathtaking Korean shoegaze that hearkens back to the early days of My Bloody Valentine. Those who find themselves at Clinton’s Thursday night are liable to have their hearts stolen. Just don’t swoon too much. I can’t promise anyone will have the presence of mind to catch you.

YUNIOSHI
Nottingham, UK
Performing: Painted Lady, Friday @ 1:00AM

YUNIOSHI are the whole reason I’ll even be in Toronto this week. It’s not everyday one of Britain’s most exciting robofunk bands plays a North American show. And when they do—if you’re me at least—you make sure you’re in the audience. I wrote about how much I love YUNIOSHI a few weeks ago, so you can go back and read that if you want more details. And if you’re not the reading type, well, just watch the video. It’s pretty self-explanatory.

The Zoobombs
Tokyo, Japan
Performing: Bait Shop, Saturday @ 3:30PM
Comfort Zone, Saturday @ 1:00AM

The Zoobombs have, apparently, been around for ages. Long enough, at least, that I am ashamed to say that this is the first I’ve heard of them. But their psychedelic hyper-rock has got me hooked.

White White Sisters
Nagoya, Aichi, Japan
Performing: Painted Lady, Saturday @ 1:00AM

Another one from Japan. And another one I’ll be sad to miss. Hovering somewhere in between metal and electronica, White White Sisters are high on blistering technique and breakneck speed—something I can only characterise as musical sublimation. I can’t say I know for sure how that would physically present, but the metaphor sounds pretty bang on to me.

Fever Fever
Norwich, UK
Performing: Rivoli, Saturday @2:00 A.M.

Another one of my UK favourites. Art punk monsters from one of my favourite little labels, Cherryade Records, Fever Fever are tearing a path through North America on their way to SXSW leaving a trail of burning stages and broken hearts in their wake. It’s a late show, but I reckon you’ll have forgotten all about that by the time you’ve heard this.

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